29
The use of classical music to improve reading comprehension
Investigación y Desarrollo • Volumen 11 • 2016 • Diciembre • Nº 1 • ISSN: 1390-5546 / e-ISSN: 2361-2557Investigación y Desarrollo • Volumen 11 • 2016 • Diciembre • Nº 1 • ISSN: 1390-5546 / e-ISSN: 2361-2557
(1993), has been under investigation regarding the influence of
his music on children and their brain. However there has been the
constant questioning of why Mozart, and what is special about
his music. To respond to these questions Berlioz (2002, p.93)
states Tomatis’ studies, claiming Mozart to have been virtuous
in the neurovegetative system and a specialist in functional
neurology, transmitting special vibrations that evidence the
creative potential of people. Moreover, Jausovec, Jausovec, &
Gerlic (2000), studied the influence of Mozart’s music on brain
activity in the process of learning, based on the Mozart effect,
concluding that his music activates task-relevant brain areas,
which enhances the process of learning spatio-temporal rotation
tasks.
Regarding the effect music has in learning, Habermeyer (1999,
p.25) states that music is a powerful vehicle to reach knowledge
and academic success, not only a form of art which adds
aesthetic experiences to life. For instance, studies using other
types of music have been proven to be effective in learning.
One example is the research performed by Cripe, 1986, testing
children with Attention Deficit Disorder (ADD), and rock music,
who demonstrated a decreased level of activity in those children,
and an increasement in attention span. This is to say that
scientists, neurologists, and researchers that study the effect of
music in the brain, have started to reveal the potential that music
has in the development of human beings.
Additionally, concerning music perception, Corrigall & Trainor
(2011), state that music training, especially in children, predicted
academic achievement; measured in two aspects: through
standardized tests and grade reports from school. Another
example of the relationship between music and reading is found
in Tsang’s (2011, p.30) study, where he proved that music
training improves music perception skills, which are associated
to reading.
The skill of reading therefore, has been demonstrated to involve
reasoning, and imagination of abstract situations; on the other
hand, music is perceived by Habermeyer (1999, p.39) as a
powerful tool to increase the temporal-spatial reasoning, which
is the ability to perceive, with accuracy, the visual world and form
mental images of the objects; aspects that are close related to
reading.
Consequently, spatial reasoning, and its relationship with music,
is relevant to be mentioned when referring to reading, as this skill
is an abstract activity; therefore, what teachers aim to achieve
with their students is forming a visual image of what students
are reading, knowing that music contributes to it. Regarding this
field “studies have shown that young children who take keyboard
lessons have greater abstract reasoning abilities than their peers,
and these abilities improve over time with sustained training in
music” (Rauscher & Zupan, 2000).
Music, therefore, has been used for learning purposes. The use
of classical music, for instance is illustrated by Habermeyer
(1999) through the findings of researchers from the University of
California and Wisconsin, who specified that listening to classical
music increases memory and concentration. Learning how to
play a musical instrument has been verified to increase spatial
reasoning. Thus, proving that music benefits students who lack
confidence, disabilities, and learning problems. To illustrate what
happens in the brain. Habermeyer (1999) states that the left,
right, anterior and posterior parts of the brain are involved in
music, explaining why people learn and retain information in an
easier way when learning is marked by music.
Furthermore, throughout history, classical music composers, have
used their sounds to identify certain characters from a narrative.
Cabacés-Vilaplana (2008, p.54) discussed the following as an
example of the latter: Prokófiev, for instance wrote a piece for a
narrator and an orchestra called Peter and the Wolf; in his work,
there are several characters, each one of them represented by
a specific musical instrument, or a group of them, as well as
a specific musical tone. Another example can be found in the
Disney film Fantasia, an illustrated narration through images,
giving life to Paul Dukas’ symphonic scherzo called The wizard’s
apprentice which was based on Gothe’s ballad, the story is about
an old wizard that wants to imitate his master.
Additionally, parental support at home is important when
children are in school. Learning could be supported with the use
of classical music according to the topics studied in class. A
number of specific examples are to be considered regarding the
moment children are studying. For example, The Flight of the
Bumblebee from Rimsky-Korsakov when studying bees, where
children are able to visualize the sound of the bees through their
imagination. Another example is the carnival of animals from
Camille Saint-Saëns, where children are able to guess thirteen
animals that appear in the tune, therefore learn through music.
Finally The planets by Gustav Holst, when children are studying
the universe, as there is a representation of the Solar System and
each one of its planets seen from Earth, with their astrological
character (Habermeyer,1999, p.226).
As stated above, the use of classical music for learning purposes,
especially for children, has been a matter of research. The best
example is the above-mentioned ‘Mozart effect’. However,
regarding language learning, Dr. Lozanov, who has been studying
music, the brain, and language learning for decades, developed